In order to experiment I always find myself turning to self-portraits. They offer a freedom and a subject matter that can be subservient to the task of painting itself. The act of discovering ways of moving the greasy stuff about on the surface is the primary concern, but not the only result.
Based on a section of Eugène Delacroix's 'Death of Sardanapalus', this new picture is an exploration in surface and uses heavily thinned paint, Damar varnish, neat paint, and linseed oil in an attempt to put across a visceral and energetic interpretation of Delacroix's classic painting.